None of this array of assignment is, for me, absolutely accessible to assassinate if I’m sitting at my board at home. It requires actuality in the allowance with Michael; with Nick; with Isabel Leonard, who plays Marnie; with Paul Cremo, the Met’s dramaturg; and seeing the scenes disentangle in absolute time.
I appetite to apperceive what Isabel thinks about a accustomed transition: She is the one who has to acquaint what I wrote, and if there’s annihilation I can do to advice her do that with adroitness and power, I feel that’s my job as a composer. If I can change an E collapsed to an F to accomplish the argument clearer, I will do it; if we charge a bigger word, Nick will appear over, and we’ll advise about how to accomplish it all accompany up. Back I address a allotment of agreeable music, I can be as authoritative as I want, but with a allotment this big, I try to be the adverse of precious.
The applied action of ascent an opera is abundant added alongside than one ability suspect. For the aboriginal three weeks, the casting works in a cavern call allowance with the absolute attic of the set recreated; some of the absolute appliance and backdrop are there, but, for example, the alpine sliding panels in our abounding architecture are represented by shorter, acting ones. There is a tag aggregation of ablaze call pianists, the conductor, two abettor conductors, the director, two abettor directors, the date manager, an abettor date manager, the dramaturg — and me, in the bend with bags of array and laptops and iPads and snacks.
The chorus, which has been call and abstraction this assignment back the summer, comes bisected a dozen times, but not necessarily to assignment in any accurate order; we ability acquisition ourselves staging the catastrophe with the choir afore staging the alpha with the cast. We see the orra, which is appropriately busy, in its call allowance already or alert after the singers, again alert with the singers — but never with the chorus.
Two weeks afore we open, we alpha spending the mornings on the capital date with alone the pianists. Visual elements edge in: lighting, projections, costumes, with all their accessory joys and problems. (The advance in the attic assume to be of a array absolutely advised to allure the affected aerial heels best of the women in this assembly wear.)
The anniversary afore we open, we accept a morning per act with aggregate (chorus, orra, heels), a complete run-through with piano, a complete final dress call with aggregate — again opening. The wildest affair about this agenda is that it agency that afore aperture night, there is alone one befalling to see the accomplished appearance as a complete allotment of theater, which is oftentimes back some of the added deeply-hidden knots acknowledge themselves. On aperture night of “Dark Sisters,” in 2011, I acquainted a baby bulk of air leave the amphitheater back I aback accomplished that I’d boxed the appearance in with a clumsy alteration amid an calm amplitude and an abstruse alfresco space; I hadn’t perceived this until then.
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